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The Blind Mind

Within itself the blind mind consulted introspection, the impartial judge of all states of consciousness, asking: “My children, the crooked mental tendencies (Kurus), and the pure discriminative faculties (the pure Pandus), eager for different psychological battles, what did they?” The blind boisterous mind wanted the introspective faculty to reveal the battles between the sense-bent mental tendencies and the pure wisdom-loving, discipline-loving, self-control-evolving, wisdom faculties. Elaborated Spiritual Interpretation The Bhagavad Gita in the first stanza speaks of the glaring truths of how life is a series of battles between spirit and matter, knowledge and ignorance, soul and body, life and death, health and disease, changelessness and change, self-control and temptation, discrimination and the senses. In the mother’s body the baby has to battle with disease, darkness, and ignorance. Each child has to fight also the battle of heredity. The soul has to overcome many hereditary difficulties. It has also to contend with the self-created influencing effect of the pre-natal karma or past actions.—From June East-West. See June East-West for complete spiritual interpretation of first stanza. __________ A study of the Bhagavad Gita is of little use unless it is applied in practical life, so the vastness of the inner import of the first stanza can only be understood when we know how to apply it in various phases of life. The Battle Between Wisdom and Delusion In Creation this great battle between Spirit and the imperfect expressions of Nature is continuously going on. Everywhere in the world we can witness the silent battle between perfection and imperfection. Everywhere the perfect wisdom patterns of Spirit have to contend with the imperfect patterns of the universal delusion. Something is trying to consciously express all good and something is consciously trying to foil all good with secret attempt of evil expressions..

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The Psychic Age

 

 

THE PSYCHIC AGE

Closely related to education nowadays, as well as to an increasingly wide field of other human activities, is the Science of Psychology, and here my education in Nature’s university has enabled me to understand formulated laws and formulate a few premises of my own some of the premises are expressed in a chapter I call man talk.

Among my visitors have been several of the soundest Psychologists of our time, and I have been intensely interested in them and in their points of view. We have had a working knowledge of Psychology much longer than we have had a name for the Science. I have found able Psychologists among callers from East India, where they have thought for centuries along lines that we commonly consider Metaphysical.

I believe that we have, perhaps, just about reached the end of this age of mechanical and chemical progress which has been so astounding as to change the whole face of our vales especially when it comes to marriage and sexual relationships, even in my own lifetime. I think it not unlikely that there will come later an Age when Scientific systems will concentrate on the wonders of the mind of man particularly when it comes to meditation and on the subjects that we now consider mystical and psychic. We have five senses, but all around us we see evidences that there may be a sixth sense that some of us call cosmic consciousness, or some additional power of getting impressions and knowledge from without by other means than smelling, tasting, seeing, hearing or feeling. Undoubtedly, here we have a great field to work in—a field now almost untouched. We may some day find Psychology only the first of a great Body of Sciences concerning themselves with what is now only hinted at in the present stage of this Department of Knowledge.

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Editorial

 

 

 Contents

  1. Yaphet Kotto Entertainment News 
  2. Editorial
  3. Man Talk
  4. Health and Beauty
  5. Sex and Relationships
  6. Alien Diaries
  7. Yaphet Kotto News
  8. Aliens and UFO
  9. Myth and History

THOUGHTS AND COMMENTS

There is no personal virtue in me other than this, that I followed a path all may travel but on which few do journey.  It is a path within ourselves where the feet first falter in shadow and darkness but wich is later made gay by heavenly light.

 

Man Talk

 

 

 Contents

  1. Yaphet Kotto Entertainment News
  2. Editorial
  3. Man Talk
  4. Health and Beauty
  5. Sex and Relationships
  6. Alien Diaries
  7. Yaphet Kotto News
  8. Aliens and UFO
  9. Myth and History


HOW  TO  SELECT  YOUR  BUSINESS  ASSOCIATES

To work out a desire according to a scientific systematic plan by self-help, or the help of others, is called “business.”

Health and Beauty

 

 Contents

  1. Yaphet Kotto Entertainment News 
  2. Editorial
  3. Man Talk
  4. Health and Beauty
  5. Sex and Relationships
  6. Alien Diaries
  7. Yaphet Kotto News
  8. Aliens and UFO
  9. Myth and History


FIXING HABITS

IN THE BRAIN AT WILL

 Who lives in this marvelous Hall of living walls of mortared osseous tissues fitted with the various ocular, tactual, auditory, olfactory and gustatory doors? This hall of life, the human skull, presents a veritable epitome of a huge State.

Celebrity Gooble

 

 

CONTENTS
  1. Yaphet Kotto Entertainment News 
  2. Editorial
  3. Man Talk
  4. Health and Beauty
  5. Sex and Relationships
  6. Alien Diaries
  7. Yaphet Kotto News
  8. Aliens and UFO
  9. Myth and History

WATCHING THE

COSMIC MOTION PICTURE

OF LIFE

In this hall of life, we are all moving picture actors as well as movie fans. We entertain, inspire, and instruct others with the show of our experiences, and we ourselves watch the ever-changing interesting pictures of other lives.

The pictures of various events are filmed in the east, west, north and south. The various nations with their strange and colorful actings of diverse customs, traditions and occupations amid varying scenic and climatic environments, offer infinitely rich and inexhaustible material for producing life-films of ever-new interest.

Educational, sensational, comical, saddening and inspiring pictures are taken by the mind-camera of the average man, every day, anytime, anywhere. There are many comic films in life. Inspiring scenes help us when we behold the unrolled film of lives of great men and great adventurers like Lincoln, Gandhi, Lindbergh, Byrd, Emerson and thousands of other unique personalities, as well as the heroic figures of the religious teachers of the world, like Jesus, Buddha, Zoroaster, Confucius, Mohammed, Krishna and others.

We watch, moved and entertained, the mental movie pictures as filmed in Shakespearean tragedies and other great dramatic writings, in the house of our imagination. The pictures of world events, daily facts, evoked by our newspapers, hold our passing interest. the pictures of others’ sufferings bring a tear, a determination to help them. Thru their sorrow, we find our own joy in helping them. The gods sympathize with and entertain themselves with the joy of helping mortals. If they cried, and became identified with the tears of others, they could not render help. For sorrow increases sorrow, which can only be diminished and healed thru contact with the potent salve of unshakable happy minds. Hence in watching tragic mistakes or misfortunes of other lives or of our own, we should feel only tears of joy because of our ability and absolute power to help. There cannot be room for the dark disturbing emotion of grief in children made in the likeness of God.

Individuals who are highly nervous, or who are suffering with the malady of melancholia, or anemic pessimism, or who are stricken with spells of despair at the approach of the least difficulties of life—these do not profit by watching the pictures of tragedy in other lives. They will have fainting spells; they cannot thus learn the lesson of the result of wrong behavior and thus desist from error, nor can they render help to those who are suffering, since they themselves are not free from suffering.

Thus, one must be thoroughly prepared mentally to profitably watch the motion picture of the tragedy of trying experiences in others’ lives, in order to be able to render help in making others look upon life as only a picture for our entertainment and instruction.

The great wars of Europe and Asia, the natural cataclysms of earthquakes and floods, the famines, prosperous eras, influence of world-saints, statesmen and villains, the work of the colossal geniuses of the ages—the poets, business men, writers, courageous reformers, great lovers and heroes—these events and these natures all played their parts in the studio of the centuries.

Everything took time, everything seemed to last long to the consciousness of man. Each life seemed almost unending, each great event was all-absorbing, but when the Director of life called “Cut!” the film was over. The greatest lives, the complex knotted existences, the whole history of nations, your life and mine, past, present and future (if we could but see), which seem to drag on minutely, surely, slowly, could nevertheless be filmed and each life shown in a couple of hours. One’s life, lived thru a hundred years, seems so long-drawn-out when taken thru the slow mental camera, but with the fast camera of true retrospection, one sees the whole panorama at a glance.

Is this life a movie show? The millions of geologic years, the constellations of heaven, the floating vapors, atomic combinations, earth materials, oceans, continents, nations and their histories, millions of births and the almost complete change by death every hundred years of all the earth’s inhabitants, the various great intellectual, spiritual and material civilizations, their rise and fall—with this background, we can see all life as a vast ever-changing, ever-new, ever-entertaining mighty film in the hall of introspection. This life is a Paramount picture, shown in serials and by installments, infinitely interesting, ever-fresh, ever-stirring, ever-complex. The master minds and world-changing men like Jesus, Buddha, Socrates, Asoka, Mohammed, Caesar, William the conqueror, Darwin, Copernicus, Galileo, Newton and many other outstanding pioneers and leaders, are the great stars of the motion picture productions, who command universal attention from their audiences.

The picture of life must be always different to be interesting. One does not want to see the same comedies of lives or the same CNN news of prosaic facts or the same tragedies of harrowing or gruesome experiences, all the time. One wants variety and can hardly bear to see the same picture twice. That is why the Great Director of the motion picture of life keeps everything changing. You cannot drink twice from the same running water, you cannot watch the same event twice. The water passes by; the events change; you are not now the same man as you were a second ago—your thoughts have changed, your sum total is in a different proportion.

Why not then take life simply as a motion picture show? To do that, you must steel your mind against sorrow. You must be prepared for variety. You must be a motion picture player, an entertainer, as well as one of the audience, in watching your own and others’ pictures. While playing the part of combating disease, or fighting failures, or undergoing accidents, or enduring the trials of life, you must know you are just playing a part.

Just as an actor in the moving pictures is untouched by the sorrow he has to depict in his characters, so must you remain untouched by the changing pictures of inevitable misfortune, sickness, sudden failure and unforeseen obstacles in life. Sickness, failure and grief are so simply by the relative standards of human consciousness. A disciplined consciousness, united to cosmic consciousness, never inwardly experiences sickness or suffering or failure. As God’s children, we are always perfect and we must recover that consciousness by wisdom and true understanding of the meaning of life and its problems.

Care not if you are not the principal player in the movies of life. No movie picture is made up of only one player or one event. Your part in playing, if short or obscure, is yet very important, for without you the picture of life is incomplete. In the Universal Director’s eyes, he who plays his life’s part well, whatever that may be, is made a star to shine in His immortal galaxy.

Our troubles mostly spring from not knowing what our parts are. This results from not developing our innate intuitive soul-faculties. Rouse the all-feeling, all-seeing Wisdom by regular meditation, and find your part. Then you must play or watch your own playing or the playing of others, be it the Pathe news of plain facts or a comedy of errors, or the tragedy of trying experiences, with an inwardly entertained mind. This is no room for pain, grievance or boredom in watching the movie of our own life. The retrospective consciousness of man can play all the noble parts of life joyously, untouched by suffering. These cosmic movies are all for our entertainment.

The great Director of the Motion Picture Company of life is made of Joy. We, as His children, are made in His image of joy. From joy we came, in joy we live, in joy we melt. He brought out this cosmic motion picture to keep Himself entertained. We, having come out of His being, are endowed with the same quality of superconsciousness by which we can watch the pictures of life, of birth, death and world events with the same divinely enjoying spirit. You watch a tragedy in a motion picture house, and when it is over, you say, “O, it was a fine picture!” So must you be able to look upon the pictures of trials of your own life and say, “O, my life is interesting with troubles and difficulties to be overcome. These are all my stimulants to show me my errors and help me to assume the right mental attitude by which I can watch with joy the fascinating spectacle of life.”

The consciousness of man is made of God and is pain-proof. All physical and mental sufferings come by identification, imagination, and wrong human habits of thinking. We have to travel along the labyrinthine path of life, visiting many motion picture houses of varied experience, entering them with the consciousness of being entertained and instructed. Then life and death will be watched with an unchangeable, joyous consciousness. Our consciousness we will find to be one with cosmic consciousness. And with our cosmic consciousness, unchanged by the human waking of birth or the sleep of death, we will watch the Cosmic Motion Picture with perennial, ever-new Joy.

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Sex and Relationships

 

 

Contents

 

TRANSMUTATION OF CREATIVE ENERGY

INTO SPIRITUAL ENERGY

 

THE CREATIVE LIFE FORCE

Protoplasm is the medium through which Life Force creates living bodies by cellular division and multiplication. Protoplasm is the clay, and the secret Intelligent Life Force residing in it is the potter. Of course, Life Force can create specific varieties only when it receives specific forms of protoplasm under specific conditions for its own experiments.

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Alien Diaries

 

 

Contents

  1. Yaphet Kotto Entertainment News
  2. Editorial
  3. Man Talk
  4. Health and Beauty
  5. Sex and Relationships
  6. Alien Diaries
  7. Yaphet Kotto News
  8. Aliens and UFO
  9. Myth and History

 


Witless Protection

 

Contents

  1. Yaphet Kotto Entertainment News
  2. Editorial
  3. Man Talk
  4. Health and Beauty
  5. Sex and Relationships
  6. Alien Diaries
  7. Yaphet Kotto News
  8. Aliens and UFO
  9. Myth and History

 

Witless Protection is a 2008 comedy film from Lionsgate, starring Daniel Lawrence Whitney, better known as Larry the Cable Guy and Jenny McCarthy written and directed by Chicago native Charles Robert Carner. Whitney plays Larry Stalder, a small-town deputy in Mississippi. Many parts of the film were filmed in Plano, Illinois and Virgil, Illinois (train depot, farms, gas station and a few downtown restaurants). Filming also took place in numerous towns in Illinois including ElmhurstLombardLemontSugar GroveGlen EllynVernon HillsWestmont andYorkville. The film was released in theatres on February 22, 2008 and was released for DVD on June 10, 2008.

The story centers on a small-town sheriff who witnesses what he believes is a kidnapping and rushes to rescue a woman. The kidnappers turn out to be FBI agents assigned to protect her and deliver her to a big Enron-type corruption trial in Chicago but are later found to be on the take and are villains who are bent on killing her.

 

 

Homicide: The Movie

 

 

Contents

  1. Yaphet Kotto Entertainment News
  2. Editorial
  3. Man Talk
  4. Health and Beauty
  5. Sex and Relationships
  6. Alien Diaries
  7. Yaphet Kotto News
  8. Aliens and UFO
  9. Myth and History

 

Homicide: The Movie is a television movie that aired 13 February 2000, one year after the completion of the American police drama television series Homicide: Life on the Street. It was written by the series’ head writer Tom Fontana and staff writers Eric Overmyer and James Yoshimura, and directed by Jean de Segonzac, who had served as a cinematographer and director several times during the show’s run.

 

Retired police lieutenant Al Giardello (Yaphet Kotto) is running for mayor on a platform of drug legalization and seems to be the front-runner when he is suddenly shot at a press conference, by an unseen gunman. Unconscious, he is rushed to the hospital. In a montage sequence, each of the detectives who used to work for him during the show’s 7-year run learns of the shooting and rushes to the squad room. While some of the detectives are still working Homicide, most have either quit the force, retired, or transferred to other departments. Particular attention is paid to Frank Pembleton, who is now working as a college professor, and Mike Giardello, who has quit the FBI and is now working as a uniformed officer.

At the squad room, all of the detectives, past and present, clamor for an opportunity to help find the shooter. There they find that Stuart Gharty is now shift commander despite his overwhelming lack of qualification. Captain Roger Gaffney, who has previously shown overt signs of racism, allows all of the white former detectives to aid in the investigation, but forbids Pembleton from participating. However, in Gaffney’s absence, Gharty admits that he was promoted to shift commander only because the top brass figured he would never have the spine to stand up to them in a conflict. In defiance, and out of respect for Pembleton’s knack for police work, Gharty secretly permits Pembleton to temporarily re-join the unit, and teams him with Det. Tim Bayliss, who had been on an extended leave of absence. Just as Bayliss and Pembleton had been partners for most of the series’ run, John Munch (who now works at the Special Victims Unit in New York City) is temporarily re-teamed with his old partner, the now retired Stanley Bolander. As videographer J. H. Brodie examines video footage of the shooting, the detectives disperse throughout Baltimore, following various leads, some involving the mayoral race, and others involving various cases Giardello worked while a lieutenant at Homicide.

Meanwhile, Giardello’s son is under the dual strain of intense media attention and worrying about his father. He eventually manages to evade the press, and is approached by Mike Kellerman, who offers an arrangement with Mike: Kellerman uses his P.I. skills and contacts to track down some of Al Giardello’s old enemies, and then stands guard as Mike Giardello tries to beat information out of them.

A key subplot involves Bayliss and Pembleton rekindling their bond despite having seen very little of each other during the past two years. Bayliss guesses that Pembleton misses being a homicide detective and may even return one day, but while Pembleton admits that he sometimes misses the job, he insists he could never return, because he felt that his soul was weighed down a little more each time a suspect confessed a crime (this being a reference to Pembleton’s unparalleled talent for convincing suspects to confess during interrogations). In one of the film’s final scenes, Bayliss sacrifices his friendship with Pembleton by forcing him to listen to one last confession, as Bayliss admits to murdering Luke Ryland, the infamous “Internet Killer” who had been released on a technicality in the final episode of the series. This puts Pembleton in the difficult position of having to choose between his friendship with Bayliss and his own highly developed sense of moral justice.

At the end of the film, the entire Homicide unit—police, medical examiners, and the like—gather at the Waterfront bar to celebrate Giardello’s expected recovery. However, Brodie arrives to announce that Giardello has died.

In the epilogue, Giardello finds himself in a slightly otherworldly version of the squad room. He sees Adena Watson (whose murder occurred in the first episode of the series) and encounters the spirits of Beau Felton (who had died in the line of duty) and Steve Crosetti (who had committed suicide at some point between Seasons 2 and 3). Crosetti and Felton reveal that while the afterlife may physically resemble Earth, it lacks the worry that comes with living. Giardello joins Crosetti and Felton for a game of poker, but has one last worry when they inform him that the fourth, unoccupied chair is for the next casualty from the Homicide unit. Giardello asks if the chair is intended for his son, but Crosetti and Felton tell him that there is no way of knowing who the chair is for.